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Non-fungible tokens (NFT) continue getting more use cases, with many public figures and celebrities leveraging the new tech to maximize their audience. Kevin Hart, an American movie actor, and comedian is the latest celebrity to adopt NFTs to expand his name in the crypto community.
Hart’s involvement in the NFT and Metaverse space appears a few days after another contemporary celebrity, Bella Hadid, joined the virtual space. The American supermodel announced launching new digital collectibles.
Starting next week, the American actor will showcase his premiere of the animated collection, “Confession From Hart” in the Metaverse. His media corporation, Hartbeat, will use these collections to create a series of non-fungible tokens (NFTs).
According to Hart, those NFTs will allow his fans to enter the Kelvin Hart Nation Metaverse Screening Room, formulated in partnership with Web3 outlet, “Moonwalk,” and virtual fun company, “Virtual.”
Furthermore, NFT holders will enjoy other benefits, such as prize subjects for Kevin Hart Nation’s IRL and metaverse occasions. Holders will also get receipts for Hart’s forthcoming comedy tour.
The movie superstar will officially inaugurate his animated collection exclusively on Roku Channel on July 6, “His 43rd Birthday”. Starting July 7, Hart will allow crypto enthusiasts and collectors to acquire one of 10,000 different “Confessions From the Hart” NFTs.
Hart’s overly supplied NFTs give an impression that there might be an official holder of each Hart NFT minted. These NFTs will be available for $65 each, payable through credit cards or Ethereum-based digital assets.
While commenting about his involvement in the NFT space, Hart hinted at launching a new social media platform. The new Discord Channel will allow Hart to expand humor and comedy to an entirely new NFT audience. He said:
“My favorite thing to do is make people laugh. I am so proud of my team for their forward thinking and ingenuity. With this new technology, we can proceed to improve our shade into the modern technological borders of content production.”
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